Kate Holcomb Hale

I’m gonna sleep like a stone 

falling off a cliff

I’m gonna sleep like a stone falling off a cliff

60 x 60 x 72 inches, 2021

Melissa Blackall Photography

This artwork was featured in the Mother Art Prize 

a group exhibition at the Zabludowicz Collection 

London, England

March 30 – June 25, 2023.



Established and curated by Procreate Project

the Mother Art Prize is the only international prize 

for self-identifying women and non-binary 

visual artists with caring responsibilities.



The selected artworks are connected by a deep 

urge to address intersectional socio-cultural matters. 

Visitors are invited to engage with works that speak of 

the tension between a capitalistic culture 

and the lived experiences of those living at the margins: 

those who are raised in the diasporas, those who are living 

in poverty and with disabilities, those playing with the 

notions of ‘human’, the female, the pregnant and the 

mother. Across a range of media, with differing styles 

of expression and cultural perspectives, and a touch 

of humor, these artists create a conversation between 

history, contemporary lives and the future. 



Video tour of the exhibition












Mother Art Prize exhibition 

at the Zabludowicz Collection, London

photography courtesy Tim Bowditch




I'm gonna sleep like a stone falling off a cliff explores invisible labor specifically the invisible labor of families, the responsibility of which often falls upon women regardless of a pandemic. This artwork reflects a period of 5+ years in which I lost both my parents, cared for my father at the end of his life, emptied and sold my childhood home and tended to my children throughout the COVID pandemic. The kitchen table (and fragments of home) serve as vehicles through which to consider the burden and privilege of care, grief, the residue of families and the invisible labor that occurs within the domestic space, which is consistently undervalued, overlooked and underpaid.


Art made at the kitchen table has historically been looked down upon because it was typically made by women, by mothers and those without means or time for a traditional studio space. These works acknowledge that the space of creativity can exist within the home. The kitchen table can be a space of resistance (or of possibility) as to what constitutes a “proper” space for performing cultural work.  



photography courtesy Tim Bowditch

photography courtesy Tim Bowditch

Melissa Blackall Photography